Miina Tsuji | From Idol Fan to Actress: Six Months of Change
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辻みいな
- Debut Year
- 2026
- Total Works
- 10+
The “Watching” Side at Live Venues
In her debut work, his girlfriend is smiling wide-mouthed by a window. A pale-colored top. Her hair down. Behind her is white lace curtains, and beyond that is green.
In the outdoor shot, her hand is on the frame of round glasses. Yellow-green knit. A car in the background.
Why this person is here is written in just one line of the product description for her debut work, “FIRST IMPRESSION 191.” It’s presented in her own words.
“I kind of hoped that by becoming famous in AV, I might be able to meet my favorite idol, you knoww”
(FANZA product description)
She wants to meet her favorite idol. To do that, she wants to become famous. To do that, she appears in AV. The w at the end of the sentence makes it readable as a joke, but this explanation for choosing this profession—the only one that came from her own mouth in six months of collected materials—is just this one.
Two others are mixed in the same product description.
I love sex as much as I love idol fandom (laughs)
“I’m embarrassed, but I come really quick”
She places it at the same weight as idol fandom. And before that, she makes a disclaimer: she’s embarrassed.
The desire was reframed this way by the marketing side.
She, whose only reason for living was supporting an idol,
found her next favorite in herself.
She moves closer to her favorite idol by becoming the object of admiration. Instead of going to meet them, she chooses the position of being gone to meet.
The girlfriend before that is also in this work. One entire side of the package is devoted to her.
7-Day Idol Fan Close-up!!
The seven days of photos are arranged small, each one not treated large. Girlfriend shopping. Girlfriend at the venue. Girlfriend in her room. What was captured over seven days was her being a fan of someone else.
Those seven days are also in the work itself. In a room where red, yellow, and blue line up, she’s holding up her smartphone. On the sofa indoors, she’s sitting at a table with a can, mouth open talking. In a room with a clothing rack, she’s talking with her eyes closed. In white interiors, she’s laughing with her hand raised beside her face.
Text is overlaid on that image.
Female idol fan—Big Chance! Even I can do it—
Sharing the joy together…
I want to keep watching you light up at merchandise
The group color of my favorite that we went to buy together…
None of these are her words. She’s being called “you,” and the one calling her is on this side of the screen. She’s the one speaking, but the text that appears over her image is written in first person from the side watching her.
The single line that appears vertically on a white background is the same.
Spot her at the live venue A friendly, cute female idol fan
The one spotting is this side; the spotted is her.
Text is placed beside her.
I want to enjoy idol fandom together with her
Approachable idol fan—MAX closeness
“Within reach” repeats again and again. There’s also the line: “Shut-in perverted girl gets her time in the sun.” She’s repeatedly placed in a near position.
One thing pointing a different direction is printed on the same side.
Become my favorite idol ♡
Among words that bring you closer, only this one places her on the side of the idol being supported. Besides the supporter and the supported, there’s one more place: becoming. That exists on the package of her debut work.
Going back to the cover, it says:
Finally found you Finally decided on you
Neither the finding nor the deciding is her doing. The person who wrote about wanting to meet an idol is positioned as the found one on the cover.
5,669 people have added her debut work to their favorites. More than any work that came out during those six months.
That’s the end of the sales pitch talk.
The girlfriend in the white shirt and a man in a light blue shirt are mouth-to-mouth in profile. On a white bed she’s completely naked on top of a man. Window and white curtains in the background. In a shot against a wooden wall, she’s on her back with her legs lifted. In a close shot of her braided face, her eyes closed, she’s receiving liquid on her face. The person who was shopping during the seven days of close-up is in this position in the same work.
Her lower back lying face-down is shown. A man is behind her, his mouth open.
FIRST IMPRESSION 191 オタクが繋がりたいライブ会場で見かける親近感ある可愛い女アイドルオタ 辻みいな
View on FANZAFor all the marketing copy, there isn’t much officially written about the person herself.
Note: Product information is displayed in Japanese.
Only Six Lines in the Official Profile
The introduction of the FANZA profile starts with a brief set of lines.
From Fukuoka Prefecture, 22 years old
Hobbies: Collecting merchandise of my favorite artist, attending idol live concerts
(FANZA Product Description)
Birthplace, age, and hobbies. The body text also mentions “Such a beautiful girl with G-cup breasts,” so that measurement too. That’s the complete list of official information.
Height is not listed here. Two weeks later, an image video product description added a figure.
H157 cm, G-cup
From: Fukuoka
Hobbies: Collecting merchandise of my favorite artist, attending idol live concerts, cooking
(FANZA Product Description)
157 centimeters. The hobbies section now lists three items, with cooking added.
Even after six months, no interview has appeared.
And who the favorite artist was remains nowhere stated. Some articles write a group name, but without citing a source. A third-party post mentioning they spoke with her at an event about it cannot be verified as her own words. In her works, there are multiple frames where she holds a glow stick. The color is sometimes red, sometimes pink.
She came into this work to meet someone specific, yet that person’s name appears nowhere at all.
Ten Works in Six Months, Directors Change Midway
Her debut work was distributed on March 6, 2026. She does not count that day as her own debut date.
In her X bio, it says “2026.03.10 Debut.” That’s four days later. On FANZA, the distribution date and the product release date are listed separately. The debut work was distributed on March 6, with the product released on March 10. All subsequent works follow the same pattern: distribution four days before product release. What she chose as her beginning was not the day it became viewable, but the day it came into being as a product.
From there, ten works in six months. One image video, one VR, and eight AV works. One of them comes out on October 2. Nine are currently viewable.
Separately, she appears in three compilation titles from IDEA POCKET, which lists dozens of names. Two came out in September, one more in October. A newcomer six months in is already appearing on the shelf when the label packages its inventory.
The first four AV works all have the same director from March through June. Starting in July, a different director for each one. She didn’t shift directors once and then settle with a new one — the fixed director was released, and after that there’s been no one consistent.
Nearly all her events have been held in Akihabara. Two branches of Lamtaara, the buy-and-sell marketplace at Moulin Akiba, and the Cheki event at Pigoo Studio in September. In six months, she left Tokyo only once—Okayama in June.
Her debut was March 15 at Lamtaara MEDIAWORLD AKIBA. The event title read:
【Limited to 60 people】Sunday, March 15, 2026, 12:00 PM~ “Otaku connecting with otaku? Miina Tsuji Debut Release Event!”
(Event information from “Ibeoruto”)
Sixty people max. Twenty seconds of individual photography per person. The debut work itself opened with “Otaku who want to connect, spotting each other at a live venue.” Both inside and outside the work, she is positioned as someone to connect with.
Two works came out in March. The debut on the 6th, and the image video on the 20th. She’s the only one in the latter. She stands in a pool, kneels in the shade of a tree on a quiet road, faces forward in a dark bathroom. There’s a shot of her sitting on grass, and another where she pushes a bicycle in a sailor uniform on a paved road. Green grass and sky stretch wide beyond. She wears the same school uniform later seen in August works—it was already here, right after her debut.
And only in this one do her expressions look different. The title is “ALL NUDE,” and she laughs turning back on a beach, laughs with a towel wrapped in a bathroom, laughs in the water. Smiling frames come in sequence.
The AV with her smiling in consecutive shots is the debut work; in other works what stands out is her chin up, mouth open face. In the one where there’s no scene partner, this reverses.
April also brought a photobook release event. The photobook is titled Sweetish. Photography by 早川達也.
This photobook has not a single line of descriptive text. Only the title, author, dimensions, and price—registered February 2, 2026. A4, ninety-six pages, ¥4,400 including tax. A book with no content description whatsoever, released at that thickness. It was published over a month before her AV debut distribution. Before she came into the world as an AV actress, one gravure volume was already in the publication queue.
She also shares work news from her own side. When the VR came out in August, she wrote:
My first VR! Thanks✌️
(Her X, August 19, 2026)
On September 13, after the Cheki event, she wrote:
Thank you for today’s Cheki and meet-up 🥹 I was nervous since it was my first time, but it was so much fun 🫶 The photos are the gifts from today and last time’s event 🤤 Thanks so much 🙌 I’ll work hard so we can do events soon ♪
(Her X, September 13, 2026)
After six months, this was her first combined Cheki and meet-up format. After her thanks comes a photo of the gifts she received that day and at the previous event.
She has two X accounts. The larger one has “Shadowban” written after her display name.
My current account won’t get unshadowbanned forever, so I’m thinking of gradually switching to the one below ↓ I’ll keep posting promotions and such on this one.
(Her X, August 2, 2026)
On the less visible one, she only keeps posting promotions. Each time a new work comes out, posts line up there.
On Instagram, if you’re not logged in, it shows “Restricted Profile” and you can’t see inside. Other major accounts open normally under the same conditions, so this restriction is specific to her account. Her bio used to list her agency and debut date, but now it’s blank.
Both places where she can be reached are hard to find.
A person who talks about what she can’t do first
Apart from X, she has a TikTok account. The account is under the hiragana name “tsujimiina,” and neither AV titles nor label names appear on it. What’s posted are gravure and photo session videos, and her bio section remains blank.
On the videos she uploads there, she attaches short text.
I can’t wink. Seriously, teach me the trick
I’m not good at dancing but I can dance to this song
The person who was sold as someone whose only purpose in life was supporting idols writes that she can’t dance. She writes that she can’t wink either and asks for tips. She talks about what she can’t do first, then adds that there’s one song she can dance to.
The day after the photo session, she had written this:
There’s a service shot at the end ❤️ Thank you for yesterday’s #chance photo session 🫶 It was my first time so I was nervous but I had fun!
After the September cheki session, she wrote the same way on X. No matter where it is, she uses the same phrasing when talking about something she’s doing for the first time.
She accumulated ten works in half a year, appeared at gravure photo sessions, yet every time something is new, every time she writes that she was nervous.
“People often tell me I suit high tones.” “Cute room wear 🌷” “Your head is strawberry…?” The sentences that are posted are short and usually either things others say to her or talk about things in front of her.
Her language use is not consistent. When referring to herself, she uses “wai,” and in a September post she writes “hommani kori.” On TikTok she asks “seriously, teach me the trick,” but on the link-collection page she’s polite with “Please make reservations from FANZA ✨” The official section lists her as from Fukuoka Prefecture.
The addition of cooking to her hobbies also makes sense when you see how she lists things. She collects her favorite’s goods, goes to live shows, cooks, isn’t good at dancing, and can’t wink.
Her cooking also turned out like this the day before the cheki session.
I somehow started making pancakes in the middle of the night yesterday and ate them. I forgot there was an event today and ended up eating them in the middle of the night… I’ll work on my stomach.
(Her X, September 12, 2026)
She begins with “for some reason” and writes “ate it” twice in the same sentence. The next day she appears at an event with people waiting, having baked pancakes the night before.
On the morning of the day itself, it was like this:
Cheki session today ❣️ Waiting for you ♡
And that night she writes that she was nervous about doing something for the first time. Three posts over the course of forty-eight hours are lined up in the order of baked, waited, nervous. All three are posted to the harder-to-find account. The promotional posts are on the other one.
In her works too, there’s one thing that never changes. Her jaw rises and her mouth opens. In the second one when a man is behind her, in the third when a mouth is on her chest, in the fourth when her leg is lifted, in the fifth in the darkness of the venue, and in the sixth in the library too when a mouth is on her chest again. From the second to the sixth, the scenes are different each time, but only that aligns.
The settings are decided by the maker. She’s cast as an idol fan, a victim of groping, an education intern. No matter which role she’s put in, the way her jaw rises is hers alone. When watching from now on, you can look for that.
Taking Away What She Lived For
At the end of the second work, a black screen appears. Just the words “abstinence” written in large red letters.
The second AV work came out on April 10. There’s an image of her in a gray one-piece dress, hands clasped together in front of her chest, smiling. The background is blown out white from light coming through a curtain.
There’s a frame with her in a small light-blue bikini, squeezed between two men with both arms spread open. The walls of the room are lined with electric lights.
In the shot on the gray sofa, liquid has splashed across the fabric, leaving a puddle on the cloth. There’s another frame of her in a yellow bikini, lying on her back with her legs raised, a toy pressed against her. A wooden chair is nearby.
This work calls itself the “Second Edition.”
Miina Tsuji gets destroyed!!!
The second edition has her screaming and climaxing over and over
A sensitive girl otaku breaking through her sexual limits!
(FANZA product description)
One month after her debut work, it’s being sold as a sequel. It’s numbered, positioned with the premise that there will be more to come.
Her words are woven in once more, just one line.
“I love sex just as much as otaku activities”
(FANZA product description)
The debut work had a similar statement in one line. In the second work, it becomes the premise of the entire project itself.
And at point six, a trailer for the next work appears.
(6) Teaser for the next work ~ Beyond abstinence ~
(FANZA product description)
The third work is that “Oshi-activity × Sex: Double Abstinence.”
For one month, Miina is forbidden from both her reason for living—her “oshi-activity”—and her beloved “sexual activities.”
(FANZA product description)
The debut work had written that “all she lived for was supporting her favorite,” that reason for living. Two months later, this project recycles that single phrase as its material. The keyword used to market her is being harvested as project content after sixty days.
What happened in that one month is written out too.
At first it was no problem at all
But gradually the irritation and lust mixed together and her mind and desires went haywire.
And then,
On the filming day that finally came, all the restraint from before exploded at once
and it became something extraordinary.
(FANZA product description)
It says it was no problem at first. Not right after being taken away, but only seemed to take effect after some time had passed.
The progression appears on screen as text. “One month from the end of the previous shoot.” In red letters: “1 Month Abstinence.” Then a frame shows “ALL LIVE TICKETS CANCELLED” and “Day 10 of Abstinence” side by side.
Day ten, when all her concert tickets were cancelled.
The filming approach also appears in the images. There’s a frame of her standing on a street, palm open facing the camera. A light-blue knit. Behind her, a road and a wall.
In the shot standing under a tree, she’s wearing a checkered shirt with a bag. A hand extends from the right, holding out a small white device.
The shot inside the car is the clearest. A smartphone is propped up on the dashboard, and inside its screen she has her palm open. She’s filming herself, reporting the day count. That’s what one month of close-ups looked like.
In a dark indoor frame, she’s in a beige camisole with her mouth open. In an outdoor frame, she’s wearing a beige jacket. Both show her face at a moment before anything has even begun.
Beyond that comes the text “Result of 1 Month of Abstinence.” This is where the third work’s main content begins.
A bright room. Sitting on a wooden bed, smiling. White cardigan and skirt. On the left, a man in a light-blue shirt.
There’s a frame of her standing before a fence. In a white bikini, arms raised, a purple toy pressed against her chest. In another shot at the same fence, she’s blindfolded, with one man standing on each side of her.
On a bed with a red cloth laid down, she’s on her back with her legs raised. In a frame where she’s on top in a brightly lit room, a clock is visible in the background.
On the same bed, she’s in white lace underwear. A man has his mouth on her chest while she tilts her chin up, mouth open.
The end of the product description is her words.
I want to come more…
I want you to thrust much more intensely…
I want more~~~~
(FANZA product description)
The one who had it taken away for a month is now the one making the demands herself.
In a room with a lamp in the background, skin wet, her face is contorted. A man is right beside her.
This work was also directed by the same person as the previous two.
The Last One Shot by the Same Person
Dark venue. Arms raised gripping red glow sticks, laughing. The bespectacled man on the right also has his mouth open with a glow stick raised. There are people in the back.
In the fourth work, the live venue itself is captured on screen.
The fourth work has 2,496 people adding it as a favorite. The third work, which came out a month earlier, had about fifteen hundred, and this one that came later has more.
The setting is placed like this.
An idol fan takes a trip to an outdoor live concert with an otaku friend.
(FANZA product description)
The on-screen text explains the relationship.
Me and Tsuji are friends who both support the same idol.
The character’s name is “Tsuji.” The subject’s real surname becomes the name of the character appearing in the work.
The text then says “As usual, on a night we traveled to a remote area —” and “The only empty room is a love hotel suite…” There’s also a scene with a bespectacled man in a green shirt and a girlfriend in yellow-green clothes standing in front of a yellow sign.
In a room with pink and green neon lights, two people sit side by side on the edge of a bed. The girlfriend is wearing a checkered mini skirt.
It was the girlfriend who moved forward from there.
Not interested in him as a man, and because he’s a virgin
When I jokingly teased him as a test, he took it seriously…
(FANZA product description)
Because she wasn’t interested in him as a man, she could tease him without worry. That carelessness came first, and taking it seriously was the result that followed.
From there on, wet scenes follow. A white shirt clings to skin, and a thin necklace remains at her chest. With wet hair, she leans her face close to the bespectacled man. In a blue-lit room, she lies face-down on the bed. In the image where she’s on her back on a gray pillow, she’s still wearing a checkered skirt. A potted plant is visible beyond her.
In what appears to be a bathroom, they embrace standing up, and in front of a gray wall, she faces upward in a reverse-cowgirl position. She kneels in pink panties. Liquid on her face, eyes closed, facing upward.
On her back with legs raised, facing upward with her mouth open.
White robe on a pillow supporting her head, fingers to her mouth with eyes open. Eyes don’t look away.
アイドル並みに可愛いオタク友達と推しライブ後、集中豪雨直撃で急遽ホテル相部屋に童貞からかうお遊び誘惑を真に受けたボクは朝までびしょ濡れ絶倫性交 辻みいな
View on FANZAIn the next one she goes to the venue again, but what happens there is different.
What Happens in the Darkness of the Venue
She is smiling while wearing a white knit sweater and holding a pink glow stick. About six men surround her, all holding glow sticks. One black heart-shaped fan is visible. On the right, there is one more woman.
In the previous work’s venue scene, she was standing in line on the right side. Here she is surrounded.
In another frame, in the pink and purple light, a hand reaches from behind toward her skirt. The people around her still hold their glow sticks.
Two lines of text overlay the video.
In the darkness of a live venue
A dol fangirl faces the perverted hand of 痴●
In a frame where she faces upward with her mouth open, glow sticks scatter around her.
There are several frames where the screen is divided left and right. One side shows a crowd of glow sticks, the other shows her face. One side shows the dark mesh of the venue and glow sticks, the other shows a man wearing glasses bringing his face close to her ear. The full venue and a single point within it appear simultaneously.
It is presented in the form of her speaking.
Even though I want to focus on the live…
(FANZA Product Description)
Here, for the first time, she switches from being the one who supports to being the one interrupted. From her debut, she has been sold as someone who supports others. Here, something else happens while she is supporting.
The monologue continues.
The worst act of 痴● during my favorite live…
That’s so terrible…
I hate it so much and it’s so disgusting, so why…!?
My body is getting excited…!?
(FANZA Product Description)
Beside the line saying she hates it, her body is shown having a different reaction. And she goes looking for the other person.
I want to be 痴● again
Reverse stalking the man she saw committing 痴● on the train.
“Please… will you 痴● me one more time?”
(FANZA Product Description)
She takes what happened at the live venue to the train. It is not that her support was interrupted, but rather that her support steps back.
In a bright outdoor scene, she is wearing a black jacket with her arms crossed and her brows furrowed. On the right is the profile of a man wearing glasses. Behind them are construction scaffolding and fencing. The furrowed brow appears in the third and fourth works as well.
From there, it transitions to inside the train. The person who was written as hating it and finding it disgusting, yet whose body reacted differently, is now in a place she chose to go herself. In the train car scene, her chest is exposed while still wearing a checkered skirt. On the left is a man, and on the right window is a warning notice pasted.
There is a frame of her wearing brown boots. She is squeezed between two men with her legs spread open, and liquid is spraying. The back is bright white from the window light. In a close-up of her face, her tongue is out. A man’s hand in the foreground. Beyond that is a door and a red triangular sign. When it shifts to a room with red curtains, she is on top of a man on a bed with her tongue out. There is a lamp nearby. There is also a frame where she raises her upper body with her hand on her chest.
On a white bed, she lies on her back with white fabric in her hand.
Inside the train. In a close-up of her chest, a handrail crosses the foreground. A man’s hand is visible. In a close-up of her face, her tongue is out and there is a green string around her wrist.
The person who said she would ask for it again is shown in a bright interior close-up of her face with her mouth open and her finger touching her tongue.
アイドルオタクの私はライブ中に初めて痴●に遭遇…戸惑いながらも高揚感と抗えない快感に背徳絶頂。あの時の快感が忘れられず、あれから毎日、電車で痴●待ちしています。 辻みいな
View on FANZAIn the August work, the word “support” refers to a different person.
A Fan Who Puts Her Body on the Line for Her Idol
The work titled “Substitute Wheel● Game” that came out at the end of August was a two-actress piece. She played the role of an education intern, and the other actress played a student who is an idol.
In the video, there’s a frame where three pieces of text appear in a row. On the left, small: “Student.” In the center, large: “A Fan Who Puts Her Body on the Line for Her Idol.” On the right, small: “Teacher.”
She is literally named that in the role.
The content of that role is set up this way:
Through the miracle of her idol crush being a student at her teaching internship,
Tsuji, the idol fan, can’t hide her excitement.
She can’t give her special treatment, but she naturally finds her gaze drawn to that student.
One day, she witnesses the idol student being surrounded by delinquents
and subjected to harassment bordering on sexual abuse.
Driven by her sense of justice as a teacher and her sense of duty to save her idol,
she raises her hand and rescues the student.
In that moment, she becomes vaguely aware that the target of the delinquents has shifted
to her, but she thinks: if she can save the idol student, that’s okay with her…
(FANZA product description)
She becomes aware on the spot that the target has shifted to her. And with that awareness, the text places her willingness to accept it: if she can save her idol, that’s fine with her.
Six months ago, she was described as having “discovered that her next idol crush was herself.” Now she stands on the side of taking someone else’s place.
In this work, there’s a scene with yellow text written on a blackboard.
◯ンポ Handshake Event
In front of that blackboard stands a girl in a uniform and white socks, surrounded by five boys. It’s the same configuration as the sixty people who lined up for twenty seconds each at her March debut commemorative event. In the work, this configuration is written on the blackboard.
In another scene, about twenty photographs are posted on the blackboard. In the foreground, a long-haired woman reaches toward them. It’s a scene where captured images are arranged and posted.
There’s also a scene set in a room with an idol poster on the wall. There’s a bed and two boys. The room of the person she’s pushing for is used as the stage.
On the phone screen is a video of a girl in uniform waving. The date reads “March 1, 1:48,” and thumbnails of other videos line up below. The hand holding the phone appears in the foreground. It’s a scene of watching her idol’s video in the middle of the night.
There’s a scene of a woman in a green knit sweater surrounded by boys. In the corner of the classroom is a person in green clothing, with several boys nearby and postings on the wall. There’s also a scene where a pink cloth is placed over her head, with a fan and shelf visible in the background.
In mid-September, she briefly replies to someone else’s post by quoting it. The source of the quote was a third-party post suggesting that actresses who appear in AV out of admiration or self-realization rather than to support a host are more problematic. Here’s her response to it:
Seriously, that’s ridiculous. That’s why I’m such a risky person.
(Her X post, September 14, 2026)
On the same day, she also writes this:
Even though I’m such a reckless person, everyone comes to events and supports me — you’re all too good and it makes me cry.
A twenty-two-year-old from Fukuoka writes “seriously” and “I.” Her speed at self-mockery and her shyness at writing that she gets teary over those who come and support her fit together in the same two lines.
The person who was described as having “next idol crush is myself” now writes six months later that those who came for admiration are the problematic ones.
She’s also left this post about the August work:
Someone told me during a live chat that this month’s new concept is so interesting — there are tons of voices requesting it be turned into a series or sequels…✨ I’m so thrilled
While filming, I was acting while thinking “Is this okay…?” but it seems it was entertaining, so I’m glad 🥳
For the release event of this new work, see you tomorrow 🫶 I’m waiting to hear your thoughts directly! lol
(Her X post, August 25, 2026)
She writes that she’s received voices wanting a sequel. She also writes that during filming she was thinking “Is this okay?” And then she continues by asking to hear people’s thoughts directly at tomorrow’s event. In half a year’s worth of posts, this is the only place where she writes three lines together.
In the late August work, she was called “Tsuji, the Idol Fan.” In the work that came out three weeks before that, she was called “Tsuji.”
It’s the girlfriend who wants it
The story rewinds three weeks. A work released August 7th titled “Twisted Delusion of a Literary Girl” takes place at school. She sits beside a library desk, hand to mouth. Wearing a sailor uniform and glasses. A bookshelf on the left, a bag on the right. A boy is standing. In the frame where she opens a book at the desk, a navy sailor uniform with a red scarf is visible.
The plot is set as follows.
A girl named Tsuji, who has rape-play fantasies, always indulges in imaginary rape scenarios alone.
A boy who befriended this girl.
Using the timid, herbivorous boy as a character
she seeks stimulating erotic scenarios around campus.
Unable to refuse, the boy goes along with it.
(FANZA product description)
It’s the girlfriend who’s asking for it. The male narrator finds himself on the receiving end, cast as a character in the girlfriend’s fantasy.
Three days before the release, the actress posted a short comment about the work.
Is Tsuji properly resisting? ❓
(Her X, August 4, 2026)
She’s taking on the assigned character.
Looking at the frames, the setting is a school.
When she was standing outdoors in her debut work, she was wearing round glasses. The same prop appears six releases later in a different role.
Between bookshelves, she stands beside the boy in white socks and black shoes. In one frame, she bends forward with her hand on a bookshelf, the boy behind her.
The subtitles are from the boy’s perspective. “The day I first saw Tsuji’s smile, I was so happy.” Then “Tsuji is actually a perverted fantasy enthusiast.”
The setting shifts through the school. When holding the stair railing, she’s still wearing a white shirt and navy skirt. In a white hallway, she wears a navy tracksuit top with a white T-shirt and shorts. In a white gym uniform frame, she’s on all fours on white sheets.
In the back of the classroom hangs a world map. Before it, her sailor uniform chest is exposed, only a red ribbon remaining around her neck. On a white bed that looks like a school health office, she still wears glasses in the same pose.
In the frame where she’s braided, a pink bra with a cord attached is pressed against her. In the frame wearing beige garter stockings, she’s kissing the boy on the floor.
The girl sitting on a chair in black tights looks upward. The shape remains the same here too. Even when dressed in a uniform, the angle of her chin doesn’t change.
On the desk she closes her eyes and opens her mouth. In the brightly lit room in cowgirl position, she maintains the braid with a white curtain visible behind her. In the frame lying on her back with her arm raised and mouth open, a brown cloth is behind her.
On the desk. Her sailor uniform chest is exposed, chin raised.
文学乙女のいびつな肥大妄想 図書館の隅でいつも読書をしている辻さんのレ×プ妄想がヤバ過ぎて…小心者のボクの草食チ○ポを勝手に使って性欲を満たしてます。 辻みいな
View on FANZAIn this work, “otaku” disappears from the title. For six releases, a term that appeared somewhere in every title finally stops here.
But it remains in the first line of the product description.
Our shared otaku interest brought our distance closer.
(FANZA product description)
It’s dropped from the title banner but remains only in the introductory line.
In the same month when otaku disappears from the title, there’s a work that still has the term. It’s a VR release on August 26th. The title is “My Otaku Girlfriend’s First-Time Hotel Overnight Trip Experience,” with “otaku” in the genre category too. Besides the debut work, this is the only title where “otaku” appears in this field.
On that package cover, the girlfriend has a line of dialogue.
My number-one favorite is you
In the debut work, “favorite” referred to the girlfriend herself. In the teacher’s role released two days later, “favorite” refers to the student. Only in this VR does the term face toward the viewer. The girlfriend is telling you, the audience—you’re my favorite.
The frames match that delivery. In a hotel room, the girlfriend in a white knit holds a pink penlight in one hand and raises a pink uchiwa (handheld fan) with “Do a finger heart” written on it. A blue chair and desk behind her.
The fan she waved at venues is brought into the room. The difference is that the person she’s waving it toward is on this side of the screen. She continues in a white bathrobe on a bed with cyan-blue cushions arranged, holding hands.
The next release comes October 2nd. The title opens with “Tsuji, whose only merit is being serious,” and the role is a female teacher. Neither “otaku” nor “favorite” appear anywhere in the title.
What the story is about comes clear from the first two sentences of the description.
A serious teacher named Tsuji is shocked to find the home she’s visiting for a house call is a mountain of garbage so foul-smelling she doesn’t want to set foot inside.
She drinks from the water bottle she brought to calm down, not knowing it’s been laced with an aphrodisiac.
(FANZA product description)
The house call is at a garbage-filled home, and the water bottle she brought contains aphrodisiac.
The only thing the actress wrote about the work was a single line on September 1st.
Garbage house‼️
(Her X, September 1, 2026)
Perfect For
- People who want to follow from her first work: Nine works have been released. One more is coming in October. You can watch them in order from the beginning right now
- People who want to see her scenarios vary: Idol fan, 痴●, classmate in the library, student teacher, female teacher—all within half a year
- People who want to see the shift in production: The first four works differ in structure from those that followed
- People who want to watch while looking for consistency: From the second through the sixth work, the same face appears. But the scenes change each time
Halfway Through a Half Year
For fans who started watching because they wanted to meet her, her first half-year can now be seen all at once.
She entered this work thinking that if she became famous, she might get to meet her favorite. Ten works in half a year. Marketed to idol fans, playing a woman who encounters molesters, becoming a library classmate, a practice teacher, and next month a female teacher. Each time, she’s placed in a different setting.
The person who wanted to go meet someone has become the one people come to meet. The woman who writes that she’s not good at dancing, that she can’t wink, that each new role is nerve-wracking—this same person now writes that people coming to meet her brings her to tears.
Even after half a year, the name of the one she admired never appears anywhere. What appeared instead was a line from a VR package saying “You’re my biggest favorite,” and a note from September about receiving gifts. While the one she wanted to meet remains out of view, only the faces of those coming to meet her keep multiplying.
Only at this point in time are unsettled things visible standing side by side. After a year, her place on the shelf will be decided, and the way her titles are named will settle down. The woman smiling with her teeth showing by the window and the woman wearing glasses at the library desk are still standing side by side with equal weight.
On the page where she collected all her links, she writes this:
I’ve posted various URLs (̨̡ ⸝⸝.ˬ.⸝⸝ )̧̢
Please pre-order from FANZA ✨
There are videos available for free. But if you’re going to follow her from here on—after she’s made 10 works in half a year—I’d ask that you start by buying one on FANZA. The fact that there are only 9 now means that if you start following her now, you can see them all.
Note: Product information is displayed in Japanese.
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