Nanase Tazune Interview | Ex-Idol to SODSTAR Exclusive, Singing Newcomer

Two years two months from her December 30, 2023 graduation announcement

December 30, 2023. An announcement appeared on the official website of OSAKA Shogo GANGS, an idol group based in Osaka. A personal statement to fans issued at year’s end.

“I, miRay, will be graduating from OSAKA Shogo GANGS and leaving the agency effective April 2024.”

(OSAKA Shogo GANGS Official Website “Notice Regarding miRay,” December 2023)

The author was miRay, a member in her fifth year. Two years two months after that announcement, on March 3, 2026 at midnight, the same person debuted under the name Nanase Tazune (七瀬温) from SODSTAR. Her 171-minute debut work had 4,033 favorites on the distribution page. Reviews totaled 35 for the special edition with an average rating of 4.40. The first greeting before the camera, the powerful voice honed from five years on stage. That few minutes of presence is available in the sample video, and the full work can be viewed starting at 500 yen.

The debut wasn’t the end. New works were released in April, May, and June, with a fifth work scheduled for July 7. Five works in five months. Her music career never stopped. On debut day itself, a new song began distributing on music streaming services. Former idol, singer-songwriter, SODSTAR exclusive. Three identities moved simultaneously during the first half of 2026. Follow the timeline.

Tazune: Reading Her Name

First, the name itself. The reading of her stage name is not intuitive at first glance. A self-introduction post she shared on X is the primary source with the highest clarity on her profile.

“Self-introduction (just what comes to mind) Tazune / 26 / 155cm / Osaka-based / Photography beginner / Ricoh GR iii / Casio ex-zr1600 / Likes) Hanshin Tigers / Talkative and bright / Flexible body / Singing and guitar Tazune is the reading for the character 温.”

(X @tazuu_ura October 2025 self-introduction post)

• Name: Nanase Tazune (七瀬 温)
• Hometown: Hyogo Prefecture, based in Osaka
• Height: 155cm
• Affiliation: SOD Create (SODSTAR exclusive), music and acting through HANAYA PROJECT
• X (daily): @tazuu_ura — 32,000 followers
• X (actress work): @makuma_bear — 12,000 followers
• Instagram: @tazuu_nana
• TikTok/YouTube: @tazune_singer
• Link summary: lit.link/tazune_dayo

Camera of choice: Ricoh GR III. Hanshin Tigers fan. Guitar and singing. Looking at just this list, it doesn’t read like an AV actress profile. She manages three accounts: @tazuu_ura for daily life and music, @makuma_bear for actress work, and another private account. She explicitly notes this account separation in her profile.

Her Instagram bio reveals character in a single line.

“Based in Osaka. Singer-songwriter. 3/3 debut from SODstar. HANAYA PROJECT member. Really speak Kansai dialect 🐙”

(Instagram @tazuu_nana bio)

The standard Japanese heard in streams runs underneath her native Kansai dialect. Her birth date varies across media with no official confirmation. More reliable indicators than numbers are these two self-introductions.

The temperature of her daily account’s posts is unique. In October 2025, she posts back-to-back: “UNIQLO knits don’t show through (grateful)” and “Today I just changed from home clothes to home clothes.” Plain-spoken life documentation intermixes with concert announcements and new work info. It’s not a promotional account with life mixed in—it’s a life account with promotion mixed in.

She maintains two fan-facing channels herself. An official fan club through bitfan for music activities, and Fantia described as “free blog daily life + sex life.” After leaving a major agency, she’s running a paid membership community in her own name. This self-directed approach connects into one continuous line when you trace her career.

miRay from OSAKA Shogo GANGS—five years

That self-introduction line about being “talkative and bright” is backed by five years of proof. In January 2019, she joined the Osaka idol group OSAKA Shogo GANGS under the name miRay. The group’s concept was “spirited festival girls of the Naniwa district.” (According to The Audience, March 2026). Her agency was S.A.B Company, a subsidiary of Yoshimoto Entertainment. Her official profile page remains on their website even now.

Drama: “That’s Why I Supported Them” (NHK) Radio: “Rieti’s Love Ai Vano ☆ Scenario Rumi-ting!!!” (FM Amagasaki) and others Theater: “Ai Vano ☆ Scenario” and many others

(S.A.B Company Official Website miRay Profile Page)

NHK drama, regular radio slots, numerous stage productions. An impressive resume beyond the scope of a local idol group. Under special skills, it says “ability to fit lots of food in mouth while eating.” For an agency to include this in official introduction materials speaks to her personality.

Her speaking ability was award-winning. An encouragement award from the Kansai Entertainment Talkmanship Festival. Few idols leave their mark for speaking skill rather than singing and dancing. This experience directly became an asset in AV interview segments.

Her graduation was April 19, 2024. A solo concert at ESAKA MUSE in Esaka was her final stage. The group’s official X described the event as a “triple celebration” of the 18th anniversary, miRay’s graduation, and new member debuts (March 2024).

The gap wasn’t long. More than a year after graduation, in June 2025, her current X account opened. In August, she launched her actress activity sub-account. The underwater preparations took form on February 23, 2026. An Instagram post announced: “【Notice】Nanase Tazune (七瀬 温) debuts 3/3.” 685 likes, 18 comments. A quiet signal eight days before debut.

The label responded in kind. SODstar’s official X attached the label “major announcement” and announced across two posts—previews and debut day itself—using the title “solo artist entertainer.” The selling side incorporated her singer identity into the marquee first.

March 3, 2026 arrived. The Audience article documented the internet reaction.

“Online, from distinctive moles on her upper lip and photo comparisons from past idol activity, she was immediately identified with posts like ‘identity confirmed’ and ‘It’s miRay!’ Talk spread rapidly.”

(The Audience, March 3, 2026)

Identification happened within hours. The mole above her lip. A face that spent five years on stage doesn’t disappear with a name change.

Music never stopped. A new single streamed on debut day

The readiness to have her identity revealed is clearly visible in the music side’s movements. In February 2026, she released the debut single “make my own days” on streaming platforms. The music video released February 24 was watched 29,000 times on YouTube. For a personal channel with 1,050 subscribers, that’s a figure in a different magnitude. The description in the details section captured the mindset of this period.

“‘Adding color to ordinary daily life’—an authentic positive song. I think there are joyful days, sad days, gloomy days, and all kinds of days. The thought behind it is that any single day can be changed for the better through one’s own feelings and actions.”

(YouTube “make my own days” MV Description)

March 3, the same day as AV debut, the second single “Dyed in City Colors” began distributing on streaming platforms. The MV description notes “Available on all streaming platforms as of 3/3 today.” Not a coincidence—they coordinated the date. The song’s description reads as a personal statement about the debut itself.

“‘Please watch me as I fly into a new world’—a bittersweet love song speaking to gaps in the heart. Not every day is beautiful, but it’s precisely because there were sad days that my music exists now.”

(YouTube “Dyed in City Colors” MV Description)

Ten days after debut, March 13, her first live performance post-debut took place at LOVE TKO in Shinjuku. Limited to 30 people, 1,400 yen admission. Not a venue for thousands—a space where you can hear her up close. The fact that the first scheduled date after AV debut was a music live reveals her priorities.

The third single “Dream Notebook” was announced in April, the same month as her second AV release, and began streaming May 1. Available on all major platforms: Apple Music, Spotify, Amazon Music, LINE MUSIC. Her YouTube channel has 48 videos uploaded, and TikTok continues updating with cover songs. The line from her handwritten debut announcement letter, “still engraving new melodies,” is executed as stated.

Whether you enter through music or works, either gateway leads to the other. The March 3 design when releases aligned proved this.

Five works reveal how SODSTAR develops talent

As of July 2026, five completed works. A monthly release pace for a newcomer right after debut is exceptionally dense. All eight releases including special editions are 4K. Scanning through genre tags reveals kissing appears in the second and fifth works. Kissing is a clear emphasis running through this talent. Directors shift from Hoshi Shoot for works three and four, to Daina-na starting with the fourth, and Taisai Chinpo for the fifth, with each work presenting new challenges in the rotation.

Purchasing tiers ladder through the works. Entry point: the 500-yen debut, core: 2,480 yen from work two onward, latest: work five available for pre-order. All releases include sample videos.

Debut work — March 3, 2026, 171 minutes

The title is “SODSTAR × Solo Artist Entertainer Nanase Tazune -tazune- AV DEBUT.” Director: Hoshi Shoot. FANZA’s official description uses verbatim text from her debut announcement letter.

“Nanase Tazune, who has been pursuing entertainment and music as a singer-songwriter based in Osaka, decides on this new challenge. ‘To pursue freedom of expression and become someone I can be proud of.’ She wishes to express her new self and wants people to know her better. Please witness her passion as she makes her AV debut.”

(FANZA Debut Work Official Description, March 2026 Release)

The response registered in numbers. The debut announcement X post recorded 1.22 million impressions and 4,575 likes as of May 2026. The distribution page had 4,033 favorites. Reviews: four for the standard version averaging 3.75, thirty-five for the special edition averaging 4.40. At 171 minutes standard, the special edition ran 218 minutes with 47 minutes of additional footage. Review volume concentrated on the special edition, suggesting the version showing unguarded expressions was the chosen one.

Current pricing: both standard and special are the same at 500 yen. If choosing, the special edition with gathered reviews becomes the entry point.

What occupied her mind in the waiting room moments before cameras rolled, after five years on stage? Knowing the letter’s contents first, the voice strength in that opening greeting carries meaning. 500 yen is the price to confirm these five months’ starting point. No rush—the sample video lets you check the opening minutes before deciding.

Second work — One night two days, 253 minutes of four scenes

One month later, March 7, 2026, the second work released. The title: “Experience Untasted Ecstasy Through Four Back-to-Back Creampies Over One Night Two Days. Solo Artist Nanase Tazune Gives Her All to AV.” Director: Continuing Hoshi Shoot, 253 minutes of content. The official description outlines the structure completely.

“Entertainer solo artist Nanase Tazune’s second work is a one-night two-day, four-scene sex extravaganza! At a private studio house, male talents visit Nanase Tazune, each with distinctive and varied sexual preferences! 1. Domme sex serving a masochistic male 2. Toy sex (something she didn’t do during debut) 3. Two-person intimate amateur video sex 4. Full-body licked and kissing sex with an older man”

(FANZA Second Work Official Description, April 2026 Release)

Worth noting in the structure: in the second work, after reviewers praised her proactivity in debut, the production positions her on the domme side first. The opening features her with a masochistic partner, then toys, amateur video, and kissing. The construction deepens the “woman who takes initiative” trait visible in the debut.

253 minutes and one-night-two-day studio setting means no compression—it’s structured around the flow of daily life. Watched alongside the debut, Nanase Tazune’s evolution as a performer and shifting dynamics become visible.

Third and fourth works — Hard direction in May and June

The third work distributed May 12, a 24-hour sensuality development documentary.

“SOD STAR Nanase Tazune third work! 24 hours of pussy development, staying wet throughout! Staying wet even during transport! First-ever threesome shame sex at SOD headquarters! Consciousness-altering three-scene sex accumulation!”

(FANZA Third Work Official Description, May 2026 Release)

SOD headquarters location shoots are this label’s specialty. The standard set was put into use by the third work, unusually early. Reviews: four for the standard version averaging 4.75, eleven for the special edition averaging 4.55. Favorites registered at 1,346. The structure compresses from travel scenes to headquarters location across 150 minutes.

Director changed to Daina-na for the June 9 fourth work, moving toward hard content with rapid-fire sex and massive members as the headline.

“Nanase Tazune, in her fourth work, writhes and climaxes through continuous linked intercourse with overwhelming satisfaction from huge members! Upon arriving at the shooting location, she faces rapid-fire insertion from the massive member actor with no stopping regardless of resistance! Intense pistoning! Training sex utilizing flexibility and bondage foursome sex are highlights! Hard is this look at Nanase Tazune’s climactic performance as she takes on the challenge.”

(FANZA Fourth Work Official Description, June 2026 Release)

“Utilizing flexibility” connects directly to her self-introduction post mentioning flexibility as a hobby. A single line from a self-intro post became a production concept within seven-plus months. This fourth work also averaged 4.75 in reviews with 2,685 favorites—nearly doubling the third work’s 1,346. The numbers grew despite or because of the harder direction over two months.

Fifth work — July 7 at midnight, kissing omnibus

The direction shifts again. The fifth work launching July 7, 2026 at midnight is titled “The Most Exquisite Kiss That Makes Men Sink Deeper—Six Situations Packed Full of Consideration and Charm. Nanase Tazune.” Director: third director, Taisai Chinpo. 198 minutes recorded, with drama and cosplay appearing in genre tags for the first time.

“Nanase Tazune’s fifth work is an omnibus drama themed around kissing! Six situations overflowing with intense deep kissing! Passionate kissing during intercourse where they become consumed and lose themselves is essential viewing!”

(FANZA Fifth Work Official Description, July 2026 Release Scheduled)

Acting experience from NHK drama and theater finally connects to AV production here. In an omnibus playing six different occupations, the opening can be confirmed from sample video. Pre-order already accumulated 493 favorites, with DVD release scheduled August 6. Five months from debut, a culmination point of production range.

Five days after release, July 12, her first solo event takes place in Akihabara. Pinned X post with announcement.

“Announcement!! 📣 First solo event at Lamutara Akihabara store 7/12 (Sun)! 🎊✨ Looking forward to meeting everyone!! Ticket sales begin 7/8 (Wed)”

(X @tazuu_ura pinned post, June 2026)

Watch the release the night it drops, visit her that same weekend. The busiest single week five months into a newcomer’s debut. This period’s temperature exists only in this moment.

Right for these audiences

• Those who want to follow narratives: A newcomer whose story—from high school exam failure to music to idol work to independent label founding to HANAYA PROJECT to AV—tracks through primary sources. Traceable from the 500-yen debut work as starting point
• Those who value speaking and acting: Encouragement award from Kansai Talkmanship Festival plus NHK drama appearance. By the fifth work, drama content begins, with acting experience merging into AV production
• Fans of active performers: Domme scene opens the second work, third and fourth works average 4.75 with harder direction. A newcomer who doesn’t fit the passive frame from work one onward is rare
• AV fans who love music: Listen to “make my own days,” “Dyed in City Colors,” and “Dream Notebook” before watching—experiencing them in release-sync context deepens understanding

An artist chose AV as one form of expression

Not an AV actress who happens to sing, but an artist who chose AV as one form of expression. This distinction matters.

Monthly release pace, early assignment to 253 minutes and four-scene structure in the second work—she’s developed as a flagged talent within SODSTAR. The synchronized release strategy of new songs alongside AV launches has no industry precedent. When the third work arrives, which songs will accompany it—this is a name worth following. Sales numbers feed directly into next production budgets and support for new singles. Free bootleg clips circulate, but if you want to see her next work and hear her next song, purchasing through FANZA is your direct vote. 500 yen from the debut work is sufficient to cast that vote for the next release.

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