Natsu Toujou Feature | 6 Years and 844 Titles After Leaving FALENOstar

November 2020: Dropping the Exclusive Label at 21

In November 2020, Natsu Toujou posted a single tweet to her official Twitter. The message announced she was leaving her exclusive contract with FALENOstar to work as a freelance planning actress. Eight months into her career, and three months past her 21st birthday.

She had debuted back in March of that year. The title of her first release carried the phrase “refreshing college girl intellectual” — nine characters that defined her initial image. The label was FALENOstar, a streaming-focused newcomer. The contract started as a one-year exclusive, but after eight months her departure notice went public.

That was six years ago. As of April 2026, her total credit count stands at 844. That averages out to more than 11 releases per month. The day she stepped away from exclusivity, her output chart jumped a level — and it has barely dipped since.

This article traces those six years in chronological order.

Profile

Natsu Toujou (東條なつ). Born August 19, 1999, in Tochigi Prefecture. She entered the industry at age 20 and is currently represented by LINX. A consistent presence at Honnaka and DASS!, she maintains a pace of multiple new releases per month.

• Date of Birth: August 19, 1999
• Hometown: Tochigi Prefecture
• Height: 156 cm
• Measurements: B78 (C-cup) / W55 / H85
• Hobby: Karaoke
• Debut: March 2020 (FALENOstar exclusive)
• Agency: LINX
• Total Titles: 844 (as of April 2026)

Against a height of 156 cm, a waist of 55 cm and hips of 85 cm. The silhouette reads as slender vertically, with shape concentrated below the waist. The C-cup bust anchors the word “petite” in something measurable.

The karaoke hobby entry doubles as foreshadowing — she would later perform live on stage. Her move to studios in the greater Tokyo area in early 2020 marks the starting point of this career.

March–October 2020: Eight Months as a FALENOstar Exclusive

The career begins March 12, 2020. The first release from FALENOstar was titled “New Face — Refreshing Intellectual College Girl AV Debut, Natsu Toujou.” Entry-level slot at a streaming-specialist label.

April, May, June — one solo title per month. “Shaking! First Orgasm! 3 Sex Scenes!” “Secret School Sex.” “Cowgirl Ride Even Though I’m Embarrassed.” Each release swapped in a new concept. The subject matter stayed in “college girl,” “JK,” and “shy” territory — a consistent character frame was being maintained.

April 16 saw the release of her 1st image DVD, Natsu: Smile Revolution, on a separate track from the exclusive contract. The word “smile” in the title is no accident. It was the recurring symbol of her early promotion.

August brought her first photobook, Natsu-iro. Within six months of debut, three channels — AV features, image works, and print publications — were all in operation.

Through October, FALENOstar continued to release one solo title per month. Around eight titles across eight months — standard output for a new exclusive. Up to this point, the career looked like a textbook new-talent exclusive run.

November 2020: Leaving the Contract at 21

In November 2020, the departure was announced before the contract reached its natural end. The format was a post on her official Twitter. The same tweet confirmed she would continue as a freelance planning actress.

November 27: her live performance debut at Club Citta Kawasaki in Kanagawa. She sang J-pop. Separate from AV promotional events, the music dimension was coming to life.

December 20: four titles dropped on the same day. CJOD (OPERA label), a Madonna-affiliated JUL title, a summer festival NTR under kawaii, and a Honnaka title: “Complete Transfer — First Raw Creampie Immediately.” Four different production setups that would have been impossible under a single exclusive contract.

The Honnaka title had “complete transfer” in its name. The line connecting a college-girl-next-door debut to a creampie-specialist label can be read in that one title.

Four same-day releases, 40 days after departure. The output chart spikes here.

2021–2022: Crossing kawaii, MOODYZ, and Honnaka

From 2021 onward, month-to-month releases stacked up with almost no gaps. kawaii, MOODYZ, Honnaka, ATTACKERS, Madonna-affiliated TAMEIKE, ROOKIE. The industry slot had been established: “petite, clean-looking girl suitable for freelance planning work.”

In September she was appointed FANZA Campaign Girl. Her face started appearing on FANZA’s own promotional surfaces. A first-year appointment.

2022 expanded the range further. March brought a wife role in TAMEIKE’s title “Actually, I’ve Been Violated by My Husband’s Boss…” — a married-woman character at age 22, with a 4–5 year gap between actress and role designed to leverage the contrast between her wholesome face and the resigned air of the character. July brought ATTACKERS’ “The Day a Man Released From Prison Raped a Woman for the First Time in Ten Years.” A single-title, single-actress dramatic long-form, anchoring her in one of the genre’s cornerstone labels.

July also saw the kawaii title “I Just Said You Could Use My Shower?” — a classic one-night-mistake scenario. Her second FANZA Campaign Girl appearance had come in February of the same year, demonstrating the label’s sustained interest.

September: MOODYZ released “Teacher, If You Like Me…” — a role where saliva, vaginal fluid, urine, and squirt can “all be drunk” as a condition. The distance from “refreshing intellectual” had grown considerably in eighteen months.

October brought DASS!‘s “Sexual Harassment Coach’s Relentless Piston Training Camp” — a training-camp scenario with aphrodisiacs, squirt, drool, and sweat spread across the frame. A representative title from the period when kawaii, MOODYZ, and DASS! were all running in parallel.

In 2022, her titles moved between clean and explicit genres within a single year. The “refreshing” frame built at debut had settled into a base layer of character expression, with each new label adding another texture on top. The contrast between a clean-looking face and escalating scenarios was the design logic, and it was working.

Annual release numbers had already passed 100 by this period. A pace that sits near the ceiling for freelance planning actresses, with a multi-label regular position firmly established.

2023: DASS! as Primary Stage, Honnaka Running in Parallel

DASS! density climbed sharply in 2023. May: “Her Slender Body Was Seed-Pressed by My Father While I Was NTR’d.” July: “Forced to Conceive an Heir by Her Perverted Father-in-Law’s Seed.” September: “The Masseuse Touched Too Close to Her Secret Places and She Couldn’t Resist Being Stolen Away.” All three were solo leading roles.

Words that recur across these titles: “NTR,” “seed,” “father-in-law,” “slender.” DASS!‘s primary scenario types had found a fit with Toujou’s physical profile. The numbers — 156 cm, C-cup, slender — function as structural requirements for the cramped interiors, family-power-dynamic settings, and age-gap configurations these titles depend on.

Honnaka activity ran alongside this. The May title “The Men in the Dorm With No Help Coming — They Called Friends, Who Called Friends—” is representative. A long-form gang-bang production within a creampie-specialist label.

NTR from DASS! and creampie from Honnaka — two simultaneous primary tracks in 2023. Some months saw same-month releases from both labels. The total count surged considerably that year. The camera approaches differ: DASS! tends toward fixed-position footage in confined spaces over 3–4 hours; Honnaka cuts between setups frequently to accumulate creampie shots. Running both in parallel fills most of a week’s studio schedule.

October: fan club “Nacchanzu” launched on AgeFans. A direct billing channel, separate from AV features, was now in place. The announcement tweet from that month remains pinned with a reply containing the sign-up URL.

2024–2026: Ranking Appearances and New Releases

Entering 2024, her name started showing up in the upper tiers of FANZA’s monthly rankings. February’s rental-floor monthly actress ranking recorded a first-place finish. She also appeared at No. 37 in the 2024 FLASH magazine sexy actress ranking.

FANZA’s rental-floor ranking compares each actress’s share of the total titles rented in a given month. A single-month No. 1 only happens when multiple titles by the same actress are being rented consistently throughout the month. Reaching that position in year four, as a freelance planning actress, is not a common result.

2025: DASS! leading roles continued at approximately one per month. April: “The Cute Girlfriend We Both Moved to Tokyo — She Was Being Impregnated by an Insatiable Power-Hungry Old Man for My Sake.” November: “A Week of Watching Helplessly as My Petite Girlfriend Falls Into Drug-Fueled Gangbang Hell After Being Kidnapped by Yakuza.” The pressure of each scenario has increased year by year.

September 2025: Honnaka’s VR label released “[VR] My Girlfriend Is an AV Actress, Natsu. Sweet Cohabitation Life with Natsu Toujou.” The title incorporated her nickname “Nacchan.” As the lead in this production, her actual name became part of the format itself.

Also in 2025, the rental-floor monthly ranking showed her at No. 9 in September and No. 10 in October — two consecutive months in the upper tier in her sixth year.

May 2026 will see a DASS! release: “A Beautiful-Assed Wife Who Keeps Coming Back to Be NTR’d Every Day After Her Uterus Gets Gouged by Her Trainer’s Back-Position Thrusting.” As of this writing, about two weeks from release. No sign of a slowdown.

Six Years in Numbers: 844 Titles, 200K Followers, and a No. 1 Ranking

Cutting the career into numbers:

• Total titles: 844 (March 2020 – April 2026)
• Monthly average: 11.4
• FANZA Campaign Girl: 2 appearances (September 2021, February 2022)
• X (Twitter) followers: 200,000+ (@_tojo_natsu, as of April 2026)
• FANZA Rental Floor Monthly Actress Ranking: No. 1 in February 2024 / No. 9 in September 2025 / No. 10 in October 2025
• FLASH Sexy Actress Ranking 2024: No. 37

An average of 11+ releases per month — if each title required 1.5 shooting days, a rough calculation puts her at 17 studio days per month. Subtract time for music, photobooks, and fan club operations, and the proportion of working days spent on set is high.

Her X account (@_tojo_natsu) at 200,000+ followers sits near the top end for freelance planning actresses. The thread from the Nacchanzu fan club launch announcement in 2023 continues to receive updates as the primary promotional channel.

Karaoke, Photobooks, Campaign Girl: Lines Outside the Main Work

Three parallel tracks run outside the AV features themselves: music (rooted in karaoke), photobooks, and FANZA promotional appearances.

On the music side, the Club Citta Kawasaki live performance in November 2020 was the starting point. “Karaoke” as a hobby entry translated into singing J-pop on a live-house stage — a different channel from AV event appearances.

For publications, the photobook Natsu-iro in August 2020 was the first. Digital photobook releases have continued, accumulating several titles per year. The visual record of a 20-year-old from Tochigi at 156 cm / C-cup was being built in a medium separate from her film work.

Her FANZA connections — campaign girl appearances in September 2021 and February 2022 — placed her face on FANZA’s own promotional real estate, a slot with a limited number of slots available per cycle. She entered it in her second year and returned for a second appointment.

The fan club “Nacchanzu,” launched in October 2023, consolidates these parallel activities into one access point. Official blog, X (@_tojo_natsu, 200,000+ followers), Instagram (@tojonatsu), Linktree — the promotional network extends around the perimeter of her film work.

Four Titles to Read the Full Career

From six years of catalog, four titles that each represent a different label and era. In chronological order, the range of character expression becomes a timeline.

Period 1 | July 2022 — “I Just Said You Could Use My Shower? After Missing the Last Train to My Female Coworker’s Apartment…” (kawaii)

A kawaii summer standby scenario. Stranded colleague, a night in the apartment in a yukata. The character is a natural extension of the “refreshing college girl” debut. Casual clothes and bare legs held in the frame longer than service shots. The title itself mentions “even with thoughts of my wife threatening to resurface” — the story is built on the coexistence of guilt and desire.

Period 2 | July 2023 — “Forced to Conceive an Heir by Her Perverted Father-in-Law’s Seed” (DASS!)

A DASS! father-in-law type. The slender young-wife role opposite a much older man, held across the whole running time. Cramped interiors, dialogue with feudal-household overtones, costume changes from lingerie to kimono. The three reproductive terms in the title — “heir,” “seed,” “impregnated” — are the condensed emblem of the label’s approach. This title established the template that the subsequent father-in-law, uncle, and power-figure variations would follow.

Period 3 | May 2023 — “The Men in the Dorm With No Help Coming — They Called Friends, Who Called Friends—” (Honnaka)

A Honnaka long-form gang-bang. One woman, one man, then two, then three, the count climbing. The structural metaphor in the title describes escalating harm through a chain of referrals. The male cast eventually reached double digits. The back half of the film is shot mostly in one fixed position, with long uncut takes. “No help coming” refers simultaneously to the absence of physical rescue and to the open-ended duration of time.

Period 4 | September 2025 — “[VR] My Girlfriend Is an AV Actress, Natsu. Sweet Cohabitation Life with Natsu Toujou” (Honnaka VR)

From Honnaka’s VR label. “Nacchan” in the title; the role is literally “an AV actress named Natsu.” An enterprise that places the real career inside the fiction. First-person VR perspective across a full daily routine — morning preparation through evening. Where DASS!‘s temperature runs high, this title runs in the opposite direction. The echo of the early “refreshing” image surfaces here, recontextualized.

A Viewing Guide for Four Types of Audience

The range across six years of titles is wide. Here are four entry points, each with a different starting title.

• Viewers who prefer a slender, petite build: The numbers — 156 cm, C-cup, W55 — are present in the frame. DASS!‘s age-gap and father-in-law scenarios extract the most from this physical profile. The 2023 father-in-law title is the recommended entry point.
• Viewers who want to follow the gradual shift from clean to explicit: The move from early FALENOstar to MOODYZ’s extreme scenarios is readable in chronological order. The 2020 debut, the 2022 kawaii title, and the September 2022 MOODYZ title — in that sequence — compress the shift into something you can track.
• Viewers entering through Honnaka’s creampie catalog: Gang-bang, dorm scenarios, and VR cohabitation all appear in her Honnaka work. The 2023 dorm title to the 2025 VR title is a clean arc.
• Viewers for whom NTR and cuckold scenarios are the main attraction: DASS! leading roles are numerous, with father-in-law, neighbor, boss, and trainer variations available. Following them from the 2023 father-in-law forward through the 2025 trainer title shows the escalation in scenario pressure.

The trajectory does not overlap with large-bust or large-hips physical emphasis — that’s a different design. Checking the measurements first prevents a mismatch. Viewers who want hard-core violation scenarios in a dramatic long-form format have a separate entry point in the ATTACKERS title from July 2022.

A Framework for Lasting in the 2020s Industry

Cutting a one-year FALENOstar exclusive short at eight months to go freelance was not a common move in the 2020 industry. The standard path for new exclusive talent was to run the full 1–2 year contract before transitioning. Departing ahead of schedule, without a guaranteed next placement, carries real risk.

In Toujou’s case, what functioned as a landing structure after departure was LINX representation combined with simultaneous connections across Honnaka, kawaii, MOODYZ, DASS!, and ATTACKERS. No single label’s banner to carry. One leading role per label per month, compounding into a total count that stays in the triple digits year after year.

The model worked because a clean-leaning base character was generically usable across multiple label types, while the physical construction capable of handling both DASS!‘s NTR and Honnaka’s creampie — two high-demand track types — was available in one person. Either track alone would not have produced this volume.

Six years of 11+ monthly releases run in parallel with photobooks, campaign appearances, fan club operations, and live performances — that is the substance of this career.

The Freelance Years Were Longer Than the Exclusive

The FALENOstar exclusive lasted eight months. The freelance period since has crossed six years. The nine-character tagline from her debut title — “refreshing intellectual college girl” — is still present in the underlying design of her screen presence, with many layers of subsequent scenarios built on top.

As of April 2026: 844 titles, 11+ monthly average. The off-set activity that started on the Club Citta Kawasaki stage on November 27, 2020 continues through fan club “Nacchanzu” to the present.

Free streaming sites can skim the surface of this catalog. But if you want to engage with the actual volume of work a performer has accumulated across six years of monthly output, buying through FANZA’s official channel puts you on the right side of that equation. When you find a title that lands, choosing to support it through the official channel is how the next six years of output gets funded.

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