Anna Mitsushima | From Workwear to Blonde: 17 Films, Unchanging Smile
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満島アンナ
- Debut Year
- 2025
- Total Works
- 17+
Concrete wall with a shovel propped against it
She stands in front of a gray wall wearing a light blue bra and khaki work pants. Facing forward. Below her waist she’s still in work clothes; only the top is off. A single shovel rests against the wall on the floor.
White letters overlap the same shot.
AV Debut Anna Mitsushima Mitsusima Anna
Anna Mitsushima’s debut work includes outdoor shots too. One stepladder. One white van. Construction fencing. A materials depot. This single work has construction-wear shots in two places.
A shot taken through semi-transparent vinyl sheeting carries two lines of text.
Days: manual labor Nights: escort
Another frame carries this.
A naughty girl sent me a DM
Anna Mitsushima’s starting point is April 11, 2025.
After one year and five months have passed, the 17th work is out now. Her hair color is different. The name she’s called is different. The company filming is different. Work pants and shovel are nowhere on screen anymore.
One thing hasn’t changed. The face she makes when she’s being blamed. Only that has stayed the same across locations from ten different companies.
Sold by the Same Words
The agency makes only two things public.
SIZE G65 HEIGHT 148cm
(Capsule Agency official website model page, as of September 2026)
Birth date, birthplace, and blood type are all absent — not in her FANZA actress page either. All that can be obtained from outside are two things: bust cup size and height. With just those two, she had work for one year and five months.
She was called to ten different productions, and every time the same three things appeared first: her 148-centimeter height, her G-cup, her tanned skin. Anna Mitsushima, called “minimum-frame busty beauty” in her second work, was called “petite hidden busty” in her fifth, and even in her 14th work — one year and four months after debut — she is called “tan-skinned busty.” In her latest work, she is a “short-statured fox-faced beauty.” Only the labels change each time; what they point to stays fixed.
Skin called “tan” is always accompanied by the word “healthy.”
She retains a youthful innocence — with her tan, healthy-looking skin, she reaches climax on male talent’s penis!
(FANZA product page, work introduction, as of September 2026)
The phrase “tan lines” appears nowhere. In fact, her entire body is tanned, with no white parts remaining.
In one frame, she stands in a dimly lit room wearing a white and light-blue string bikini. One man on each side. The body labeled “minimum,” “petite,” “short-statured” is squeezed there in the flesh.
In a close-up of her chest, there is one small mole beneath her breast. Yellow neon lights glow behind her. This mark belongs to her alone — it appears in neither the cup number nor the height number.
In frames shot at a construction site, her hair tied back, she faces forward in only a light-blue bra. Behind her: a red “STOP” sign, a yellow-and-black striped pole, red traffic cones. The agency’s two official profile items contain none of this.
From Her Debut to the Blank Six Months
Clearance in March, retail appearance in April
One month before the video went live, her agency announced a brief update.
Information Release!! 【New Talent】Anna Mitsushima AV Debut from MOODYZ!!
(Capsule Agency Official Website, March 18, 2025)
Capsule Agency is headquartered in Moto-Yoyogi-cho, Shibuya Ward, and represents a broad roster from rookies to veterans — including Mia Nanasawa, Yumi Kazama, Reiko Kogasawara, Airi Nagisa, Sakura Mio, and Minako Komukai. To this list, one new talent from MOODYZ was added.
In the work itself, there is a scene where text is directed at the performer.
#Why did you decide to do AV?
The text remains on screen as a man in a gray shirt places his hand on her chest. The question is left behind.
The video went live on April 11th. The DVD was released on April 15th. On that same April 11th, numbered tickets for an Akihabara event were handed out.
【Ticket Issue Date】4/11(Fri) 50 tickets 【Target Product】Anna Mitsushima Debut Work ※Event outfit planned: 【Swimsuit】
(Capsule Agency Official Website Event Announcement, April 2025)
The venue was Lumitara MEDIA WORLD AKIBA in Soto-Kanda, Chiyoda Ward, scheduled for April 23rd at 5:30 PM, and 50 numbered tickets were prepared. This number precisely reflects the scale of Anna Mitsushima’s starting point. Not 1,000 people. Not 300. Fifty.
Perks varied by purchase volume. Buy one DVD and get a 20-second individual photo session in a swimsuit, a bromide, and a handshake. Two DVDs added an autograph on your own item and a two-shot. Three DVDs meant another 20-second individual session. Stack up to five DVDs and you got a video shoot. The agency had prepared three possible scripts.
‘Please support Anna Mitsushima all the time! Give your support to Anna!’
(Op. cit., video script ②)
The phrase “give your support,” spoken from her own mouth, was prepared from debut day onwards. A Cheki photo shot at the debut event booth, signed with her swimsuit-clad image from that day, still sits on the official shop shelf today, 1 year and 5 months later, priced at 1,500 yen.
Autumn’s tightening intervals
Three months passed before her second work was released. On July 12th, release of the creampie version from First Star’s completely raw style. Two weeks later, she appeared solo in an 8K VR from kawaii*. It was uncommon for a new talent to enter a major label’s VR slot just three and a half months after debut.
When autumn arrived, the intervals suddenly compressed.
On September 12th came a VR from AQUA, followed the next day by a dating service creampie scenario from 妄想族. On the 19th another AQUA VR dropped, and by the 20th two works landed on the same day. Five works that month alone. By six months after debut, this rookie had worked with seven different studios.
Of these five, the September 13th release 『Shota Dating Creampie OK 18 Years Old 148cm Petite with Hidden Big Breasts Hidden Slut』 runs 114 minutes. The scenario: she’s hiding something.
Despite being only 148cm tall, she hides G-cup soft, full breasts. Despite being a top student with excellent grades, she hides her sexual desire.
(FANZA Product Page Product Description, September 2026)
There are shots of a commercial facility. Walking across a tiled floor in a white shirt and navy skirt. A brown shoulder bag in her hand. A “SHOP LIST” sign on the wall.
In the hotel room, she wears a sailor uniform with a red scarf tied at the neck. Sitting on a bed with patterned cushions, looking back at the camera. Her nails are painted pink. In a shot on all fours looking up at the camera, her hair hangs down beside her face. In a supine shot with her shirt pulled up to her chest, she looks at the camera. In another frame, her arm is raised, her eyes narrowed, her mouth open. In a side-view shot, her brows are drawn together and her eyes closed.
There are also bathroom shots. A white T-shirt is wet, her skin showing through. In a green-tiled bathtub, she takes it in her mouth with wet hair. In a shot kissing at the tub’s edge, her lower half wears navy bloomers.
In the gymnastics outfit shot, her hairstyle changes. It’s tied in two pigtails. Only the gymnastics portion is styled this way. With one leg of the bloomers caught, she lies on her back on a beige sofa. There’s a shot on a bed wearing white high socks.
Sailor uniform, wet white shirt, gymnastics outfit. Three costume changes. An entire work built only with uniforms found within a school setting.
In November, work outside of videos came. Her name appeared on the handwritten New Year’s card auction that the agency runs annually.
Product Name: Handwritten New Year’s Card 2026 Edition from Anna Mitsushima
(Capsule Agency Official Website, October 31st, 2025)
Fourteen names appeared in the same announcement. A new talent just over half a year from debut, listed in a row with the agency’s flagship names.
The blank six months and the five-person comeback
The name given to her in her debut work was “raw gem.”
I discovered an erotic raw gem who shakes her big breasts and comes repeatedly!
(FANZA Product Page Product Description, September 2026)
After the discovered gem was featured in a kawaii* best-of collection on November 22nd with one corner, uploads stopped.
On May 22nd of the following 2026, her name appeared again. 『Protected Girls Group Fosterage Handover Meeting』from 本中. A five-person work alongside Nagisa Tanimura, Kaho Hanamori, Wakaana Yamori, and Kana Yura, running 117 minutes. Starting price 2,180 yen. The highest price ever placed on an Anna Mitsushima work.
Hope for girls with no one! Breaking into a dangerous facility!! Today’s a fosterage handover meeting at the facility, looking for foster parents for the protected girls raised here. We’ve brainwashed them — you’re only surviving if you’re purchased. We’ve carefully trained escort skills for this day. Presenting themselves with exposed genitals to please their new masters.
(FANZA Product Page Product Description, September 2026)
She returned as one of five lined up at the handover. No solo title. No solo package. Yet 3,301 people had her listed as a favorite (as of September 2026). That’s how many people came to the shelf looking for her name during those six months of silence.
No explanation for the pause was written anywhere — neither on the agency’s pages nor on her own account. What can be established is that exactly six months passed with nothing released. And that the place she returned to was not where she had debuted. Just those two facts.
Three Works, Three Traces Left Behind
A White Van Parked at the Material Storage Site
The first work’s title is long: ‘A Fresh Debut! A Construction Site Girl with a Tanned Wild Body, the Perfect Balance of Strength and Beauty!!’ Released by MOODYZ Fresh (a MOODYZ label), 143 minutes, directed by Mametaro Mamesawa. 4,486 people have added it to their favorites as of September 2026.
The setting centers on her job.
“A hot new spoil-hauling girl secretly appears in an AV at her construction site workplace!! A girl working alongside the boys at a dispatched construction site. She’s gotten quite used to the heavy lifting work that was tough at first, and she’s now a proper construction-site girl. It seems she hasn’t had much action lately and needs to relieve some pent-up desires, so right away—a test shoot, trial shot!”
(FANZA product page, product description, as of September 2026)
Spoil-hauling girl. Of the 17 works surveyed, only this one uses that term—neither the agency nor she herself uses it. She’s employed doing earthwork transport on construction sites, and she’s come here in secret from that workplace, which sets up the initial premise.
Even when she’s undressed, she’s still in her work clothes.
“When we took off her work uniform, we found perfectly shaped, bouncy breasts!”
(Ibid.)
This work is the only one shot on an actual construction site. The photos in work clothes appear in two locations: the material storage area and in front of a concrete wall. Those two shots support the premise of being brought from work; the rest take place on a futon and in a storage room.
On a gray futon laid on the floor, she lies naked, and a man in a black shirt lies beside her. From behind her arched back, a wall with a hanging picture is visible. In a shot from above, a shirt with a “Time” logo sits near her head, her eyes closed and mouth open. In a close-up of her face, her tongue is out and her cheeks are flushed.
There’s a dimly lit storage-room-like space. An orange lighting bar glows. She stands in a white and light-blue striped bikini with one man on each side. There’s a shot where the bikini is pushed aside and she’s taking it in her mouth sideways. In one frame where she’s on all fours in profile, she’s showing her teeth in a smile—mid-punishment. Both hands rest on her chest in another shot.
On a brown floor, lying on her back, eyes closed and mouth open. In one shot, lotion shines on her body under the light. Her hair becomes disheveled as a man in black clothing holds her head. While lying down, her legs are lifted. In a close-up of her face, her mouth opens wide and her teeth are visible. Even in a shot where white liquid covers her face, her eyes remain closed and her mouth stays open.
There’s a shot where she faces upward with her mouth open. The bikini is pushed aside, and her chest glistens with lotion. The corners of her mouth turn up. In another shot, hands reach from both sides, her eyes closed as her mouth opens. Even in a shot where she leans forward while standing, under the yellow lighting bar, the corners of her mouth are raised. At this point in her debut work, it’s already clear—she’s someone who smiles through this.
As a Niece, Shot Live
She walks through a commercial facility hallway in a navy blazer and checked pleated skirt toward the camera. Passersby cross behind her. At the building entrance, her mouth is closed as she looks directly at the camera. In a shot where a hand is placed on her head, her eyes are wide open.
The second work is First Star’s complete bare style. Released July 12, 121 minutes. It’s her first work with creampie included. 5,573 people have added it to their favorites as of September 2026. That’s over 1,000 more than her debut work, the highest count among the 12 works surveyed. Those who watched her debut were waiting for this one.
“The niece Anna we suddenly had to take in. In the time since we last saw her, she’s developed into a woman’s body. Those well-defined G-cup breasts and natural tanned, healthy physique made me aroused… Inevitable erection at her tanned beautiful body and innocent cute smile! A sensitive mini-beauty experiencing her first adult c*** right away in secret creampie sex!”
(FANZA product page, product description, as of September 2026)
She’s shot in a niece scenario. Everything unfolds from the caretaker’s perspective. Three months after her debut, she’s positioned in the role of someone experiencing “her first time,” and creampie is added to that. The person called “raw material” in work one becomes family in work two.
There are shots in a hotel room. She takes it in her mouth while wearing a checked shirt. In a shot lying on white sheets with only a tie remaining around her neck, her eyes are closed, her mouth open, and her hair spreads across the pillow. Even in the cowgirl position, the tie remains around her neck. This cord stays on her neck across multiple shots without coming loose.
She’s also shot in the bathroom. Before a wall lined with bottles on shelves, they face each other standing and kiss. In a shot where she holds a showerhead to her own chest in the bathtub, the corners of her mouth are raised. There’s another shot in the same posture looking toward the camera, with a notice paper taped to the wall behind her. Facing upward with her eyes closed, a hand reaches for her throat.
There’s a scene where she wears a white and blue striped bikini. When a man’s hand pulls at the cord, she looks up at the camera. When embraced from behind in front of a curtain, only the bottom changes to different swimwear. In a shot where her mouth is open before a panel wall, her eyebrows are furrowed.
Hallway, hotel room, bathroom. Across these 121 minutes, Anna Mitsushima is moved to different locations.
In a shot lying on her back with only a tie around her neck, her body is wet. Eyes closed, mouth open. The same cord that was on her when she was walking outside still remains around her neck.
Lots of Erotic Play in Cosplay
One of the five works released in September is Vitamin’s ‘Cosplay M Orgasm Debut.’ The series name is “The Thing I Want Most to Do.” 120 minutes. This work alone, the entry point is based on her own wishes.
“What does Anna Mitsushima want to do most…? ‘I want to do lots of erotic play in cosplay!’” A quite submissive Anna. We make her wish to cum intensely through intense play come true in AV.
(FANZA product page, product description, as of September 2026)
The label logo has text alongside it.
“Turning what you truly want to do into reality”
What she said and the name of the project use the same words. When she enters the maid scene, there’s this line.
“Today I’ll be serving two masters at the same time!”
(Ibid.)
There are two partners. She undoes each man’s pants one by one and squeezes them over their underwear. She takes both into her mouth simultaneously. She licks their entire bodies in turn, side by side. Up to this point, she’s the one serving.
“Now it’s reversed. As a maid who’s being pleasured through the full course, she melts into an expression of bliss.”
(Ibid.)
After the reversal, she’s stimulated through kisses and full-body licking and toys. Fingers, a vibrator, a magic wand. Missionary, cowgirl, sandwiched between two men. She’s finished inside by each man separately. Over 10 different positions are executed sequentially. The person who said she wants to do this gradually shifts entirely to the receiving end.
She has three costumes. A white frilly maid outfit. Navy school swimsuit. A bunny girl with black ears.
The maid scene shows a floor with a blue drum. There’s a shot of her taking it in her mouth while wearing a headdress. In a shot lying on her back, her eyes are slightly closed, with a black drum barrel and blue pillar standing nearby. A shot in black underwear and fishnets is filmed on the floor; in another frame she’s on all fours under colored lighting with her mouth open. There’s a shot with a gray-haired man beside her. There’s a frame of her eyes closed with his face pressed to her chest. One shot shows her looking down in the satin outfit with her eyes closed, and another with her hair in disarray. In a dimly lit background, she’s on all fours, and in another shot her legs are lifted.
Beneath purple lighting, there’s a shot of her upper body. Her eyes are slightly narrowed and her teeth are showing. Drum barrels are lined up in the background.
There’s also a scene where she has her hair in two pigtails wearing a white shirt. This shot has a small window overlaid in the lower left corner, showing her laughing face separately. The same person appears on screen simultaneously with two different expressions.
The school swimsuit scene is in a room with a gray wall. White paper is taped to the wall and a bucket sits on the floor. She’s held with both arms raised. A young man in a white shirt on the left and an older man in a gray shirt on the right. In this scene, blame continues with all three, and choking comes into play. She’s being choked because she said that was something she admired.
In this scene her chest is squeezed, her nipples are worked, and a vibrator and magic wand are applied to her. With the swimsuit pushed aside, fingers, cunnilingus, and the magic wand continue. After the restraints are removed, she’s choked again, and while on all fours, she receives spanking. Finally, she’s penetrated once more.
Four short extras are attached to the end of the work: subjective fellatio, an orgasm with the bunny girl, a scene where she climaxes from having her entire body licked, and masturbation with a vibrator. The term “bunny girl” appears only in the extras. The footage shows her in black ears and fishnets before a white curtain, sandwiched between two men with her eyes closed.
She’s held with both arms raised. She can’t lower them herself. One man stands on each side, left and right. A gray wall and a bucket on the floor. Between them, her mouth opens. In the same restrained position, she shows her teeth in a smile.
Anna Mitsushima in the Headset
Of the 17 titles, 7 are VR-exclusive, and 3 of those were filmed in 8K VR. Looking only at the latter half of 2025, there were periods when she had more VR titles to watch in a headset than flat-screen works.
The kawaii* 8K VR title is set at a seaside house. A manager and part-time worker become trapped in the shop during a blackout on a typhoon night. Right when the power cuts, this dialogue appears:
“The manager only schedules me for shifts, so I can’t get a boyfriend. Besides… I keep thinking about the manager, and I’m not interested in other guys… so please take responsibility.”
(FANZA product page, product description, as of September 2026)
She’s the one pressing him to take responsibility. This title has 23 reviews—the most of the 17 works. The second-highest is a best-of compilation with 15 reviews, so among her solo titles alone, this one stands far above.
All four titles shot for AQUA were directed by Yamamoto Hendrix. They’re concentrated within two months from September through November 2025, and her name doesn’t appear on this label afterward.
Of the four titles, in one esthetic salon scene, she plays the one performing the treatment.
The one encountered at a luxury esthetic salon is Anna Mitsushima, G-cup tanned wild body. What starts as a polite, wholesome treatment… gradually her skillful fingertips creep toward panties, toward nipples, methodically arousing the man’s body.
(FANZA product page, product description, as of September 2026)
In her solo titles, she’s the dominant one in this scene alone. In the other three, she’s either the restrained one or the one being taken. One stalker title begins like this:
I lost consciousness from an impact from behind. When I awoke, I was restrained—unable to move or make a sound.
(FANZA product page, product description, as of September 2026)
The boyfriend is the one bound and immobilized. Anna Mitsushima takes the role of the one being taken before his eyes.
On August 15, 2026, kawaii* released her second solo VR title. There’s a one-year-one-month gap from the first. This time she’s a half-foreign visitor from Europe, with dialogue mixing Japanese and English.
“Yamato spirit LOVE! I want to enjoy lots!” “Mitarashi dango, it’s so good!!”
(FANZA product page, product description, as of September 2026)
Tanned skin. Blonde hair. A concept that casts Anna Mitsushima with a different nationality. She suggests going into a bathhouse together, leading to mixed bathing, and as the farewell approaches, she presses him with the premise of courtesy. Favorites reached 2,181 (as of September 2026). That count one month after release is noticeably faster than the other two titles released that month. The label, brought back after lying dormant for a year, proved successful again.
Outside the Screen, She Says Almost Nothing
Anna Mitsushima opened her X account in January 2025, two months before her debut announcement. Her profile reads like this:
Everyone loves Mitsuan 𝒟ℯ𝒷𝓊𝓉▶︎ ℳℴℴ𝒹𝓎𝔃🐣Capsule Agency 🎀🔰
(X @mitsushimaanna, September 2026)
She calls herself Mitsuan. She has 4,241 followers.
The same name appears across four platforms, but Instagram and TikTok both stop at a few hundred followers. Only X reached into the thousands despite the identical name and emoji lineup.
Her TikTok profile has a different description.
🔰△▽I’m doing this actress thing △▽🔰 I’ll be streaming bit by bit
(TikTok @mitsushimaanna, September 2026)
I’m doing this actress thing. Streaming bit by bit. That’s how someone who released 17 works in one year five months describes herself—with a beginner’s badge on each side of the text.
On her link-sharing page, there’s just one heading line.
Mitsushima Zone Thank you🍡🐾
(lit.link/anna1925, September 2026)
The dango and paw-print emoji appear on all four accounts. They’re always after her display name.
The posts remaining on X aren’t about her work either.
Want to learn how to wink
(X @mitsushimaanna, March 2026)
That’s from March 2026. What remains from that month is talk about hay fever medicine, complaints about cold and heat, a one-liner about quick reflexes. All four posts were written during the six months when releases had stopped. While her name had vanished from the shelves, this is what she was posting.
She did write a post about a work. It’s from August 1st, just two words in the body: “New work.” One image attached. 50 likes, 4,431 views.
When Eyebrows Meet, the Smile Doesn’t Fade
During scenes of domination, her eyebrows draw together and her eyes narrow. Yet her mouth corners stay raised. Teeth sometimes show. It’s a face that reads as either crying or laughing — never settling into either as it moves to the next scene.
In her debut, when her head tilted back with mouth open, her mouth corners were raised. Positioned on all fours with head turned, teeth visible. In her 8th film, in a school swimsuit with arms held raised, teeth visible in that fixed pose. A year later, in her 16th film, a scene on a sofa in blue underwear shows eyebrows drawn together, eyes narrowed. In another shot of the same scene, teeth showing and eyes even narrower.
If it were only this, the story would simply be: that’s the face she makes when being dominated.
What catches is that this same eye-narrowing appears in shots where she’s just standing, fully clothed.
Her 2nd film: before a brick-red wall, navy blazer and checked tie, eyes narrowed. Her 16th film: before a glass-fronted building, still in her fur coat, hand raised, eyes narrowing again. Her 17th film: outdoors at night, hair tied with red ribbons, the same narrowing appears.
All three: standing clothed outdoors. Filmed at separate locations, more than a year apart.
What looked like a face that only emerged when she was being worked over shows up even when she hasn’t taken anything off. So this isn’t a face that arises from the role she’s been given in that moment. It’s the face Anna Mitsushima shows when facing someone.
Each production brought a different character name. Spoil-hauling girl, niece, petite-with-hidden-curves, cosplay-loving M, talkative girl, diehard fan going broke from idol support. Directors rotated, co-stars rotated, rooms rotated. Yet only one thing stays consistent: how her eyes narrow when she looks this way.
This doesn’t emerge from a filmography organized by release date.
Blonde and Back
White Room and Black Sofa
Her 14th work, “Were Nice Gals to Otaku Really True!?”, was released on August 14, 2026, from 素人CLOVER. 89 minutes. Her hair changes to long blonde here.
So some old guy with bad time sense who’s still a virgin at his age gets locked in a room with a young, active girl to see if they can get along! Despite feeling a generation gap in trends and culture, they gradually warm up to each other, and the conversation turns to their respective love lives! Faced with barrage of questions from “Annachan,” a tan-skinned, big-breasted gal with communication skills through the roof, the middle-aged man with an age equaling his girlfriend count confesses to being a virgin, overwhelmed by the gal’s energy and momentum
(FANZA product page, product description, as of September 2026)
Two lines of pink text appear on screen.
A tan-skinned, big-breasted gal who’s nice to otaku Pops an old man’s cherry!!
Red text reads “Virgin +”, blue text reads “Communication-Strong Gal.” The man’s face is blurred; only his name appears in yellow text. Murata.
A room with white walls, a black sofa. A plastic bottle and snacks sit on the table. A floor lamp stands on the floor.
Anna Mitsushima sits on the sofa wearing a white shirt and tie, a checkered miniskirt, and black tights. She crosses her legs. She brushes her hair back. She opens her mouth to speak. The man faces forward. He reaches his hand out. She turns her body toward him and reaches out. She leans into him.
This is what unfolds.
“That’s bad time sense lol, take advantage of the chance to get used to girls lol” she teases the old man, lifting her skirt to flash her panties, and the old man, seeing a woman’s bare panties for the first time, feels embarrassed but gets rock hard down there!! When “Annachan” notices, she pulls down the old man’s pants and finds a huge member that wastes no effort on a virgin!!
(Same as above)
She lifts her skirt to show of her own accord. After seeing the other person’s reaction, she pulls down his pants. Both the beginning and continuation move at her judgment. She intends to keep it to just a taste, but it changes partway through.
Every frame is in the white room on the black sofa, shirt, skirt, and tights unchanged. Only the distance between the two people shifts.
The white shirt opens at the front and her breasts appear. The man’s hand reaches there. The person who had been sitting with crossed legs beside him is now on the same sofa with her clothes being opened. In the frame where the man reaches out his hand, the snacks and plastic bottle on the floor of that room remain untouched.
Red Ribbon and Black Restraints
Standing in front of a glass building wearing a beige fur coat, black turtleneck, and long blonde hair, she looks at her phone in hand. Large piercings adorn her ears.
In DOC’s street corner amateur pickups, Anna Mitsushima was filmed twice in a single month. August 23rd and September 13th. The same label requested her again.
The August one had this structure.
A documentary project exposing the true nature of hidden bitches found on street corners! These distinctive bitches are only thinking about fucking hot guys… This time it’s Annasan! An horny girl who saw AVs and requested a male actor she was interested in and came willingly!
(FANZA product page, product description, as of September 2026)
The screen shows text reading “Thanks Bitch” and one more line.
A female fan who came willingly for the male actor
A back shot of her walking down a night street alongside a man in a jacket. Indoors, she’s changed into blue lace underwear and black garter stockings. There’s a frame where she’s kneeling with her mouth full, looking up at the camera. Another frame shows her staring directly at the camera with wide eyes.
Immediately after entering the room, it’s like this.
Arriving at the hotel, Annasan gets her breasts touched right away. Saying “no…” her honest body slips off her clothes♪
(Same as above)
And on September 13th, her 17th work was released. As of September 2026, it’s her newest. 64 minutes.
Girls who overspent supporting their favorites and are broke get DMs on SNS! “Let me film you for sex and I’ll give you ○○ yen!!” tempting them, those who say yes get fucked silly by the male actor until they’re wrecked♪ A findomme collapse plan! This time featuring an idol-obsessed beautiful girl Anchamu who’s serious about attending lives!
(FANZA product page, product description, as of September 2026)
This is what unfolds.
Teach the findomme bitch who’s trying to earn easy money a lesson! Throat-fucking! Leaking! Neck-play fucking! Jamming his big dick into her tiny, super-tight hole!! Fucked her till she couldn’t move anymore!!
(Same as above)
The word “teach” appears. From the point she agreed to the filming, the story shifts from a transaction to punishment. For a 148-centimeter body, only the other side is unilaterally setting the terms.
Her stage name changes too. Anchamu. In a night corridor, text appears on screen.
Today’s idol-obsessed girl is Anchamuchan♥ Beautiful idol fan
White fluffy knit. A red ribbon is tied in her blonde hair. A pearl adorns her hair accessory. The person who stood in front of work pants and a shovel in her debut work has come here over one year and five months.
Indoors, on a beige sofa with a man sitting beside her. He wears a striped shirt. The knit rides up, floral underwear peeks out, and her legs open. In another frame, she wears black lace-up boots with her legs raised.
In the hotel bathroom, two people are reflected in the mirror. Standing, pressed from behind, her mouth opens and her eyes narrow. Her hair falls into disarray. In a frame where she’s held from behind, her brow furrows and her eyes close beneath her bangs. The red ribbon and pearl hair ornament still sit on her head in that frame. There’s also a frame of her lying face down, hair covering her face, mouth open.
Only two works involve wrist restraints—the 8th and this one. One she requested to be filmed; this one started with money.
On a bed lit with purple light, in floral underwear, her arms are restrained with black restraint equipment. In the same scene, a hand reaches for her neck and her eyes narrow. In another frame, lying on her back with legs raised, she’s wearing only blue underwear.
For Those Who…
- Like tan skin：No white marks remain. In every scene, her entire body is the same color, and there are no tan lines from swimwear. If you’re expecting tan lines, you’ll be disappointed. Instead, there’s a single small mole below her breast
- Like changes of location within a single work：The 2nd work moves from a hallway to a hotel, then to a bathroom. The 5th work cycles through three school uniforms, and her hair is put in twin tails only during the athletic wear scene. By contrast, the 14th work never leaves the black sofa in the white room, and her outfit doesn’t change either
- Like restrained images：There are 2 such works: the 8th and 17th. In both, her arms are held up in a restrained position, unable to lower them herself. The 8th work was one she wanted to shoot herself, and in it she’s smiling with her teeth showing
- If you have VR：VR-exclusive titles are split between kawaii* and AQUA. Only one AQUA esthetic work has her in the dominating role; the rest have her either restrained or dominated
Work Clothes and Red Ribbon
What never changed in 1 year and 5 months was only her face.
The person who stood in front of a gray wall with a shovel is now walking down a nighttime corridor with a red ribbon in her hair. The partner changed, the room changed, the costume changed, the name changed. Spoil-hauling girl, niece, closeted enthusiast, cosplay-loving M, high-communication-skill gal, fan burning through money for her favorite. A label was stuck on for every shoot.
No matter which role she played in, her brows drew together, her eyes narrowed, and her mouth corners never fell. It was the same in her debut as in her 17th. If there’s any reason to follow Anna Mitsushima, it’s there.
After a six-month hiatus, since summer 2026 she’s been releasing two works at one-month intervals. DOC has kept requesting her, and kawaii* brought her back after a year away. The conditions for a 18th work are already in place. The agency’s official page still shows only two items—bust and height—and it is only through her works that what makes Anna Mitsushima her is coming into view.
There are videos streaming free. Some days that’s enough. But if you find that same face in one of these 17 works and want to see that face again, please buy that one on FANZA. The number of times it gets bought is what decides which label she wears. It has not yet been two years since this person came out on 50 numbered tickets.
Note: Product information is displayed in Japanese.
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